A Quiet Place 2018 Pelicula Completa Castellano

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A Quiet Place 2018 Pelicula Completa Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Hancock Nanak


Coordinador de acrobacias:
Shyla Kameron


Diseño de guión:
Aude Ikhlas


Imágenes : Kasen Serres
Co-Produzent : Soumaya Gaétan


Productor ejecutivo : Slanie Colas


Director de arte supervisor:
Otelia Dickens


Produce|Producir : Elkaïm Fitz


Fabricante: Arletta Chere


Actriz : Ferrer Mert

7.3
6836

Título de la película	A Quiet Place 2018 Pelicula Completa Castellano
Hora	162 minuto
Lanzamiento	2018-04-03
valor	FLA 720p DVDScr
Categorías	Horror, Drama, Science Fiction
habla	English
nombre de reparto	Samaya V. Taimoor, Halcyon MediaMawada B. Proulx, Dargent N. Laytan

[HD] A Quiet Place 2018 Pelicula Completa Castellano

This review contains **spoilers**.
So let’s First get this out of The way I’ve never been more frustrated, by people eating popcorn, fidgeting, & Coming in late.

Anyways form the very start I had so many questions, how’d they get here? Where’d the Monster come from? Etc. And by the end I have no answers and even more questions. Are they gonna survive and kill all the Monsters? Is everyone else dead? Why’d they think to have a baby? But that doesn’t matter.

We’re just tossed into this situation with no explanation to almost anything. The only things we really know is of course making lond sounds means you’re likely gonna die. And High Pitch Sounds Hurts the Monster.

Wish is a smart Choice and come to think of it is kinda obvious, maybe a little too obvious. Like how’d they never think about that? Either way.

A quick note for surviving other then the soundproofing here and there. Why not have a sound bomb of sorts, you could just throw? That would have toldy saved the Dad from having to sacrifice him self.

That isn’t to say they’re stupid they had many Smart decisions such a The sand paths, the box for the baby (wish was kinda sad), the little sound proof room, the Radio, and the fireworks. And that’s just the sound related stuff the Lights and Fires Where also Smart.

Otherwise the cast give us some incredible performances and lots of good chemistry. It probably helps that John and Emily are a real couple. Speaking of wich John Krasinski has Written and Directed a very clever and suspenseful horror film. I’ve never been more scared of corn in my life. Also had jumped at water.

And the sound department specifically the Foley Artist have never shined greater in any film I have ever seen before. The sound is a way flipped from most horror films as it’s when the music drops and everything goes quiet that the Monster attacks. But not in this case everytime the Monster comes it’s a big moment.

Although I have nothing against a R rating. In fact I’m somethimes more likely to see a film because of a R rating, it shows they have gus and they are willing to take a risk. F*ck you MPAA!!!

Anyways some times all kinds of unnecessary crap is put in a Film because they like oh yeah we’re rated R. Although that’s not always needed this Film proves a well done PG-13 can still be dark and brutal. Killing a Child with in the first 10ish minuets, is a little dark. Although come on that kid had it Coming as soon as he grab those batteries. there’s almost a bit of blood maybe the MPAA is pulling back on some things. Probably not those F*ck you MPAA!!!

Ok sorry my review is getting to become rated R. 😆

Also I wanted to note for whatever reason I enjoy films where I can count the entire cast.

Along side Get Out it seems people form comedy make better Horror film Directors then most Horror film Directors. It definitely makes sense though it’s all about that timing.


In Short It was a gripping film from start to finish. I’d highly recommend to all Horror and Thriller Fans. Although because of spoilers in this review you probably already saw it.


So leave a comment and let’s discuss.

No likes
**_No important spoilers here_**

In a **dystopic future**, the humanity has been severely smitten by strange blind creatures that feast on living flesh, both human and animal. In spite of being blind, the creatures have a super hearing and can identify sounds from far away. The creatures are nearly indestructible and very effective killers, and once they hear you, you are most likely dead.

The movie follows a surviving family trying to keep alive in this harsh reality. The movie setup is incredibly well-built to transpire the precaution, the constant fear, and the direful consequences of an unthought action in this terrible future. **The sound effects are awesome**, and the director can successfully use the nearly-constant silence in contrast to the hassle of being followed by those creatures.

The **acting is solid** and helps to immerse the watcher in the well-built plot.

My only regret for this movie is that it ends during a climax, when we are not ready to stop watching it yet. **It could be 30 minutes longer** to explain some missing points and to show what happens after the ending.

Overall, **an awesome movie**, well-thought and beautifully produced in every aspect.
Every time a horror movie does something that I've never seen before, that gets me very excited. _A Quiet Place_ is such a movie. I do believe that maybe _A Quiet Place_ doesn't **quite** deserve the praise that it has received. Not that it isn't a good movie, just that said acclaims have been **so** high, to the point that I think maybe just the fact that it's original isn't enough to earn those laurels.

I still am a fan of the movie, hardline, absolutely, just maybe a little underwhelmed given the reviews.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
This is far and away one of the best movies I have ever watched, and I've watched a lot of movies! The story is original, no small feat these days, and the acting is just outstanding! John Krasinski and Emily Blunt, along with the children, bring these characters to life, and make us really care, all without the benefit of well written dialogue. That's not easy to do, but they do it. Right from the start, you find yourself drawn into the lives of these people, and can feel the tension, the undercurrent of threat, that they live with every day. Through all they face, we are also given a picture of a solid family, with a dad and mom doing everything possible to care for their children, the family praying together, holding onto faith even under the most difficult of circumstances, and that family dynamic really strengthens the entire story. Who do you rely on when all is changed? When everything goes wrong? Family. Along with the acting, the direction, sets, just everything, come together to deliver a truly scary movie, that doesn't rely on flash to terrify you. Highly recommend this one. We saw it in the theater, and bought it as soon as it hit the stores. Top notch work.
A family is forced to live in silence while hiding from creatures that hunt by sound.

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Chocolat 2000 Pelicula Completa Castellano

Chocolat 2000 Pelicula Completa Castellano- horarios -M2V-WEB-DL- HD gratis en línea - reloj -año- película de ganzer .jpg

Chocolat 2000 Pelicula Completa Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Maven Santos


Coordinador de acrobacias:
Gilda Bernita


Diseño de guión:
Johanna Sira


Imágenes : Zulakha Nizam
Co-Produzent : Taine Chabat


Productor ejecutivo : Oluchi Foessel


Director de arte supervisor:
Zane Viha


Produce|Producir : Antonie Burgess


Fabricante: Rainier Haney


Actriz : Kimiya Briggs

6.9
2019

Título de la película	Chocolat 2000 Pelicula Completa Castellano
Hora	148 minuto
Lanzamiento	2000-12-14
cantidad	M4V 1080p Blu-ray
Categoría	Comedy, Drama, Romance
lenguaje	English, Français
nombre de reparto	Sherae A. Kahina, Awen FilmsKarlene Z. Helmond, Gwenlli K. Trystan

[HD] Chocolat 2000 Pelicula Completa Castellano

A fable of emotional liberation and chocolate. A mother and daughter move to a small French town where they open a chocolate shop. The town, religious and morally strict, is against them as they represent free-thinking and indulgence. When a group of Boat Gypsies float down the river the prejudices of the Mayor leads to a crisis.

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Chocolat 2000 film Wikipedia ~ Chocolat French pronunciation is a 2000 BritishAmerican romanticdrama film It is based on the novel Chocolat by Joanne Harris and was directed by Lasse Hallströ by screenwriter Robert Nelson Jacobs Chocolat tells the story of Vianne Rocher played by Juliette Binoche who arrives in the French village of LansquenetsousTannes at the beginning of Lent with her sixyearold

Types of chocolate Wikipedia ~ Chocolate is a range of foods derived from cocoa cacao mixed with fat cocoa butter and finely powdered sugar to produce a solid are several types of chocolate classified according to the proportion of cocoa used in a particular formulation The use of particular name designations is sometimes subject to international governmental regulation

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Ruby chocolate Wikipedia ~ Ruby chocolate is a variety of chocolate introduced in 2017 by Barry Callebaut a Belgian–Swiss cocoa variety has been in development since 2004 It was unveiled at a private event in Shanghai on 5 September 2017 It is marketed as the fourth type of chocolate alongside dark milk and white chocolate varieties The chocolate is made from ruby cocoa beans

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Killers Anonymous 2019 Pelicula Completa Castellano

Killers Anonymous 2019 Pelicula Completa Castellano- reloj - deutsch -Blu-ray- Cómo para ver Killers Anonymous en línea - hindi -año- inglés .jpg

Killers Anonymous 2019 Pelicula Completa Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Stevie Jahari


Coordinador de acrobacias:
Darwin Sumner


Diseño de guión:
Rebekah Caydn


Imágenes : Lamb Delanoë
Co-Produzent : Siaka Akram


Productor ejecutivo : McKayla Saint


Director de arte supervisor:
Paquin Talan


Produce|Producir : Zaiyan Ambrine


Fabricante: Sincere Doreen


Actriz : Chiron Jones

4.7
54

Título de la película	Killers Anonymous 2019 Pelicula Completa Castellano
Hora	121 segundos
Lanzamiento	2019-06-27
valor	DTS 720p Blu-ray
Categorías	Action, Thriller, Crime, Mystery
lenguaje	English
nombre de reparto	Orantin C. Truchon, At MovieDaudel G. Harry, Evette N. Ilisha

[HD] Killers Anonymous 2019 Pelicula Completa Castellano

A failed attempt to murder a Senator is connected to a group meeting secretly to discuss their darkest urges—to take lives.

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The Babadook 2014 Pelicula Completa Castellano

The Babadook 2014 Pelicula Completa Castellano- reserva - blu ray -VHSRip- Película HD - alas -año- inglés .jpg

The Babadook 2014 Pelicula Completa Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Misrahi Blaike


Coordinador de acrobacias:
Pritesh Dexter


Diseño de guión:
Janek Satine


Imágenes : Pietro Jesper
Co-Produzent : Marcene Garance


Productor ejecutivo : Rich Sienne


Director de arte supervisor:
Aisha Maire


Produce|Producir : Spire Darshil


Fabricante: Karlee Kayden


Actriz : Latrice Mayo

6.4
3857

Título de la película	The Babadook 2014 Pelicula Completa Castellano
Hora	196 minuto
Lanzamiento	2014-05-22
precio	DAT 720p Blu-ray
Categorías	Drama, Horror
habla	English
nombre de reparto	Jesse A. Fawnia, Atypic ProdTurgot F. Ariana, Tubeuf G. Malek

[HD] The Babadook 2014 Pelicula Completa Castellano

Ba Ba-Ba Dook! Dook! Dook!

The Babadook is written and directed by Jennifer Kent. It stars Essie Davis, Noah Wiseman, Daniel Henshall and Hayley McElhinney. Music is by Jed Kurzel and cinematography by Radek Ladczuk.

Amelia is a single mother still haunted by the violent death of her husband, she is trying to deal with her young son Samuel's fear of a monster in the house. Initially tolerating it as a flight of fancy, the arrival of a book in the youngster's bedroom called Mr. Babadook, signals the start of a sinister presence that she herself can begin to fear as well.

Australia has been producing some great horror films in the last couple of decades, The Babadook is one of the best of the bunch. Jennifer Kent made it as a 10 minute short back in 2005 called Monster, itself a super piece of horror film making, now in full feature length form (Kent’s first), the vision and intelligence explodes off the screen in every frame.

The premise at the core is not exactly fresh, but Kent manages to make The Babadook its own entity, skilfully steering away from formula jolts and terrors. Which in this day and age of horror retreads, sequel frenzies and blood for blood’s sake, is most refreshing. This is a big character piece, a two hander of incredible emotional power, a mother and son dealing with their own demons before the eponymous Babadook enters the fray. We care about this pair of troubled souls, so much so that as we start to feel the dread, get the tingles down the spine, our hearts are also aching for them. The two performances of the actors quite simply magnificent.

Mr. Babadook is a pop-up picture book that suddenly arrives into their lives. The creature is a sort of cross between a German expressionistic nightmare and Jack the Ripper. The book itself is creepy enough in its own right, more so as it starts to take on a more terrifying tone – and Amelia proves unsuccessful at getting rid of the thing – the picture starts playing its ace psychological cards. The monster is kept mostly to the edges of the frames, or just popping up for a quick glance in unexpected places, this is a great move and suits the narrative perfectly.

The tech credits are top notch. A key aspect to getting the most out of The Babadook is to make sure the sound is loud, for the sound mix is tremendous and can bring pounds of gooseflesh rising up on your arms. Ladczuk’s photography is at one with the themes pulsing away in the story, the colours paled and cheerless, enhancing the fractured psyches of mother and son, but Mr. Babadook is a jet black presence in this landscape. All told the art design from the book to the house and the creature is excellent.

Umbrella’s Australian All Region Blu-ray Release has a super transfer and does justice to the sound mix. There’s over an hour of interviews, which are a mixed bag of informative chat and back slapping, a 12 minute behind the scenes making of and some trailers. The bonus is the 10 minute short, Monster, The Babadook in its infancy but no less scary for it.

The Babadook is a superlative horror film for adults, like when Polanski met Kubrick and they decided to pay homage to Fritz Lang and George Melies. Yes it’s that good. 10/10
The best pure-horror of the year. But that's not saying much.

Final rating:★★★ - I liked it. Would personally recommend you give it a go.
A single mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.

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The Huntsman: Winter's War 2016 Pelicula Completa Castellano

The Huntsman: Winter's War 2016 Pelicula Completa Castellano- película -DVD-AVI-Google Drive mp4- película -año- película .jpg

The Huntsman: Winter's War 2016 Pelicula Completa Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Matéo Gaétan


Coordinador de acrobacias:
Bhavesh Shannan


Diseño de guión:
Angell Rahmat


Imágenes : Sagan Kairese
Co-Produzent : Clinton Vidhi


Productor ejecutivo : Gauguin Chetna


Director de arte supervisor:
Spencer Emelia


Produce|Producir : Esti Alex


Fabricante: Nazaire Dilly


Actriz : Melia Orso

6.2
3240

Título de la película	The Huntsman: Winter's War 2016 Pelicula Completa Castellano
Momento	177 minutos
Lanzamiento	2016-04-06
valor	MPEG-2 720p Blu-ray
Categorías	Action, Adventure, Drama
habla	English
nombre de reparto	Yoselin I. Pessy, Telekanal STSLadurie Y. Mieka, Ivan K. Charon

[HD] The Huntsman: Winter's War 2016 Pelicula Completa Castellano

**The Huntsman and his romance caught between the two evil sisters.**

This is a sequel as well as a prequel to the 2012 film 'Snow White and Huntsman'. It opened with the earlier story where and how the Huntsman grew up, especially the journey of his innocent childhood to a great fighter that covers in the first half an hour. And then it skips for about 7 years where the original film takes place, but immediately begins where it had ended in the first half, as well as the first film. Actually, not a bad film as I have heard of it, but same as the previous film that stands just above the average and slightly loses some decibel rating.

The actors were good though. Emily Blunt, Jessica Chastain and Charlize Theron, wow, super hot women, but sadly they are in fairytale costume. Their performances were great, but the characters, particularly the two sisters resemble the 'Frozen's Anna and Elsa. You can feel how desperate was the filmmakers to avoid such comparisons by viewers, so they developed the story very far from any string attached to that famous animation. In the end these things are unavoidable, since the story is not fresh enough to claim its independent status.

Chris Hemsworth was okay, I hope he won't return for the third film. It is a decent watch, and I think it will remain as an duology, for right now it seems a good idea. The problem is it was being made a dark-fantasy to appeal the grown ups, particularly men. But it should have been a children's film where adults too can enjoy like the Disney's 'Maleficent'. Except the opening the rest of the story seemed very ordinary. Though the action sequences were enjoyable and so the film with a low expectation, or the purpose of the watch is the timepass.

_6/10_
This is kind of a prequel and a sequel to Snow White and The Huntsman. It is not as impressive as the first movie but quite good anyway. I would call it a nice family movie although probably not for the youngest members of the family.

The story is partly before and partly after the events in Snow White and The Huntsman. It is a good adventure with plenty of magic and special effects and a fair bit of action. It is a fairly straightforward story without much in terms of surprises.

There is a bit of comical relief in particular by the dwarfs, especially when the two dwarfs following the huntsman encounters the grumpy female one and her friend.

Apart from the classical Snow White setting, quite good special effects and quite decent action this is a fairly normal fantasy adventure movie. It is about two hours of good fun but does not really reach wow-status.
As two evil sisters prepare to conquer the land, two renegades—Eric the Huntsman, who aided Snow White in defeating Ravenna in Snowwhite and the Huntsman, and his forbidden lover, Sara—set out to stop them.

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The Princess and the Frog 2009 Pelicula Completa Castellano

The Princess and the Frog 2009 Pelicula Completa Castellano- película -FLA-AVI-Pelicula Completa Castellano- crédito -año- descargar .jpg

The Princess and the Frog 2009 Pelicula Completa Castellano

Equipo De Filmación

Coordinación Departamento de arte:
century Dubarle


Coordinador de acrobacias:
Amalia Erline


Diseño de guión:
Sophea Carmela


Imágenes : Shaiya Szlovak
Co-Produzent : Orlina Piero


Productor ejecutivo : Helen Haywen


Director de arte supervisor:
Galina Alverta


Produce|Producir : Kenny Dobbels


Fabricante: Chayma Hoffman


Actriz : Musso Rien

7
3054

Título de la película	The Princess and the Frog 2009 Pelicula Completa Castellano
Hora	191 minutos
Lanzamiento	2009-12-08
precio	Dolby Digital 1080p HDTS
Categoría	Romance, Family, Animation
habla	Français, English
nombre de reparto	Robert L. Flower, Symphony PicturesAloïs J. Edmee, Leonard M. Héloïse

[HD] The Princess and the Frog 2009 Pelicula Completa Castellano

After the third attempt to watch this film, I finally got through the first 15 minutes and am glad I did. There always seemed to be something to stop me from getting too far in. So, what did I think?

"Is it entertaining?" Yes. For the most part, the songs were enjoyable and the animation was fine. The pacing could be improved somewhat, mostly by eliminated 2-3 songs. 2 out of 3

"Is it interesting?" Yes. The character backgrounds and the story development were easily above the average kids movie. The plot was a tad predictable and the moral seemed to meander some. 2 out of 3

"Is it memorable?" Somewhat. The most unique thing were the character types. While the animation was fine, some of the human facial expressions were just off enough to be slightly creepy. I am glad most of the movie had some of the main characters as animals. 1.5 out of 3

Start with 1.
1+2+2+1.5=6.5
I will round up for the overall enjoyment of the time spent.
7 stars.
I have some questions, I have some comments, both of which may come across as moderately hostile, but I still enjoyed _The Princess and the Frog_. I'm not too sure why though. I won't be coming back for the soundtrack, which is generally one of the biggest appeals of these Princess deals, and certain things are so *yawn* Disney that you can call them before you press play, but at least it's a little different.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
A waitress, desperate to fulfill her dreams as a restaurant owner, is set on a journey to turn a frog prince back into a human being, but she has to face the same problem after she kisses him.

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Oldboy 2013 Pelicula Completa Castellano

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Oldboy 2013 Pelicula Completa Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Genevre Aryana


Coordinador de acrobacias:
Théo Astou


Diseño de guión:
Thalia Maliyah


Imágenes : Ellayne Sahrish
Co-Produzent : Zelie Margand


Productor ejecutivo : Sholah Sofiane


Director de arte supervisor:
Karman Polin


Produce|Producir : Lauby Manil


Fabricante: Kile Déjazet


Actriz : Britt Laylah

5.9
1123

Título de la película	Oldboy 2013 Pelicula Completa Castellano
Hora	152 minutos
Lanzamiento	2013-11-14
objetos de valor	DTS 1080p BDRip
Categorías	Drama, Thriller, Mystery, Action
lenguaje	English
nombre de reparto	Alani X. Humayun, Confluential FilmsTahrim T. Iznah, Jambet O. Karyn

[HD] Oldboy 2013 Pelicula Completa Castellano

An everyday man has only three and a half days and limited resources to discover why he was imprisoned in a nondescript room for 20 years without any explanation.

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Laal Kaptaan 2019 Pelicula Completa Castellano

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Laal Kaptaan 2019 Pelicula Completa Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Garcia Aksil


Coordinador de acrobacias:
Tamala Cindi


Diseño de guión:
Atticus Jorja


Imágenes : Reion Sabra
Co-Produzent : Shalane Nadeen


Productor ejecutivo : Sekou Amata


Director de arte supervisor:
Baril Elyon


Produce|Producir : Jailen Yoann


Fabricante: Jastin Alessi


Actriz : Brennen Bernita

7.8
2

Título de la película	Laal Kaptaan 2019 Pelicula Completa Castellano
Hora	179 segundos
Lanzamiento	2019-10-18
valor	Sonics-DDP 1080p BRRip
Categoría	Drama, Action
habla	हिन्दी
nombre de reparto	Toprak O. Lareen, Xenomorph FilmsBosson T. Yaron, Malia E. Shaima

[HD] Laal Kaptaan 2019 Pelicula Completa Castellano

In an 18th century setting, a Naga sadhu in India sets out on a journey across Bundelkhand to seek revenge for an injustice committed in the past.

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Gremlins 3 Pelicula Completa Castellano

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Gremlins 3 Pelicula Completa Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Rainier Weber


Coordinador de acrobacias:
Umaiyah Maïwenn


Diseño de guión:
Shayna Bright


Imágenes : maelis Jaydn
Co-Produzent : Sahair Lion


Productor ejecutivo : Nora Bower


Director de arte supervisor:
Nizamul Jaimie


Produce|Producir : Slade Elouise


Fabricante: Pearce Elwood


Actriz : Bauer Marcus

Título de la película	Gremlins 3 Pelicula Completa Castellano
Hora	199 segundos
Lanzamiento
costo	M4V 1080p DVDScr
Categorías	Horror, Comedy
habla	English
nombre de reparto	Casian K. Faezah, Wolper OrganizationLakanal O. Broca, Xiomara D. Shanika

[HD] Gremlins 3 Pelicula Completa Castellano

Upcoming Gremlins sequel.

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Ford v Ferrari 2019 Pelicula Completa Castellano

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Ford v Ferrari 2019 Pelicula Completa Castellano

Equipo De Filmación

Coordinación Departamento de arte:
Gaston Aksil


Coordinador de acrobacias:
Leelou Mica


Diseño de guión:
Magimel Waïl


Imágenes : Gytis Plourde
Co-Produzent : Pécaut Bernard


Productor ejecutivo : Lark Maïwenn


Director de arte supervisor:
Isyla Marlene


Produce|Producir : Thiya Mccarty


Fabricante: Cruz Jeromy


Actriz : Jesusa Davion

7.9
720

Título de la película	Ford v Ferrari 2019 Pelicula Completa Castellano
Reloj	146 minutos
Lanzamiento	2019-11-13
valor	MPEG 1440p TVrip
Categoría	Drama, History, Action
habla	English
nombre de reparto	Nunez S. Kahina, Anthony ChangHicks X. Ruwen, Esmail L. Presley

[HD] Ford v Ferrari 2019 Pelicula Completa Castellano

A biography on American underdogs from a blue-collar industry with notable actors, an impressive production team, and an inspiring story; did someone say Oscars? Whatever its intent, ‘Ford v Ferrari’ is an impressive biopic that rarely strays from its path. A melding of entertainment and creativity, this should be considered both a commercial and critical success. Fire up your engine and race to the cinema to catch this film that everyone’s sure to be talking about.
- Charlie David Page

Read Charlie's full article...
https://www.maketheswitch.com.au/article/review-ford-v-ferrari-a-racing-biopic-thats-right-on-track
_**I'd have preferred to see Michael Mann's version, but this is an impressive and heartfelt study of friendship and triumph**_

>_Next year, Ferrari's ass is mine._

- Carroll Shelby, after losing to Ferrari in the 1964 World Sports Car Championship

>_To take control of this materialised energy, to draw the reins over this monster with its steel muscles and fiery heart - there is something in the idea which appeals to an almost universal sense, the love of power._

- A.J. Baime; _Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans_ (2009)

In 2015, a long-gestating project was announced as entering pre-production – based on Brock Yates's 1991 book _Enzo Ferrari: The Man, the Cars, the Races_, the film was tentatively called _Enzo Ferrari_ and was to be written, produced, and directed by Michael Mann (_Heat_; _The Insider_; _Ali_). A long-time racing fan, Mann had been trying to bring Ferrari's story to the screen since the book was published (in 1992 it was reported that Robert De Niro was circling the role and Mann would begin shooting right after he completed work on _The Last of the Mohicans_), but in 2015, things seemed to finally be moving ahead. Christian Bale was cast as Ferrari and Noomi Rapace as his mistress, Lina Lardi. And then, nothing. Time passed and no more was heard until 2017, when it was announced that Bale had dropped out and been replaced by Hugh Jackman. And again, nothing. In the meantime, a different film was greenlighted – an adaptation of A.J. Baime's 2009 book, _Go Like Hell: Ford, Ferrari, and Their Battle for Speed and Glory at Le Mans_. Set to star Tom Cruise and Brad Pitt, it was to be written by Jason Keller (_Machine Gun Preacher_; _Mirror Mirror_; _Escape Plan_) and directed by Joseph Kosinski (_Tron: Legacy_; _Oblivion_; _Only the Brave_). That version of the project never got off the ground, but in 2018, it was announced that James Mangold (_Cop Land_; _Girl, Interrupted_; _Logan_) had signed on as director, working from a new version of Keller's script, written by Jez Butterworth and John-Henry Butterworth (_Fair Game_; _Edge of Tomorrow_; _Get On Up_). Rather confusingly, none other than Christian Bale is in the cast, although not as Ferrari, whilst Mann himself is credited as an executive producer. Is this (at least in part) the remnants of his own film? Is his credit related to nothing more than rights, or was he actively involved in making the movie? Will we still see his _Enzo Ferrari_ at some point?

_Le Mans '66_ (released in North American with the equally generic title of _Ford v Ferrari_) is an excellently made but unadventurous movie. Mangold is a fine director, but he's no Mann, nowhere near, and the film did, to a certain extent, just leave me pondering what kind of kinetic brilliance Mann would have brought to bear on similar material. In contrast, to Mann's body of work, _Le Mans '66_ could never be accused of breaking any new ground or trying anything especially original – it hits all the beats, it hits them well, but it never strays from the formula. Much as Mann's _Ali_ (2001) was a boxing movie on the surface only, being far more interested in politics and institutional racism, Mangold's film isn't really about motor cars – it's about friendship, male pride, personal integrity, sticking it to the Man, art v commerce, individuals v corporations; it is, in essence, a thematically broad and aesthetically anonymous pre-_auteur_ theory audience-pleaser made with the technology and aesthetic sensibilities of modernity. And whilst the individual parts may be unsatisfactorily safe and familiar, the whole is unexpectedly accomplished and immensely enjoyable.

The film begins in 1959 as Carroll Shelby (Matt Damon) wins that year's 24 Hours of Le Mans in an Aston Martin DBR1/300. However, shortly after the victory, he's told he has a heart condition and must stop racing. The film then jumps to 1963, as Ken Miles (Christian Bale), a brilliant but volatile and unpredictable driver, is running a sports car repair garage in LA, but the venture is failing (mainly because he continuously berates his customers for one thing or another). The British-born Miles has a reputation as one of the best drivers in the world, and is renowned for his almost supernatural ability to identify problems in test cars after only one or two laps. However, because of his personality, no one will hire him. Meanwhile, Ford Motor Company Vice President and General Manager Lee Iacocca (Jon Bernthal) suggests that Henry Ford II (a superb Tracy Letts, who steals every scene he's in) buy the cash-strapped Ferrari N.V., speculating that Ford's involvement in international racing may go some way to countering the company's reputation for making boring and unattractive family cars (in essence, he hopes the purchase will give the company more street cred). Enzo Ferrari (Remo Girone), however, turns down the deal in favour of a counter-offer by Fiat Automobiles, which is more lucrative and allows him to retain ownership of Scuderia Ferrari (Ferrari's racing division). He also calls Ford II fat. Enraged, Ford II determines to build a car capable of winning Le Mans, a race which has been dominated by Ferrari for years, winning in 1958, 1960, 1961, 1962, and 1963. Iacocca reaches out to Shelby, the last non-Ferrari driver to have won the event, and asks him to design a car which can beat any Ferrari. Shelby and his engineering partner Phil Remington (Ray McKinnon) get to work but soon Shelby explains to Iacocca and Ford II that they will need a great driver as well as a well-designed car. And so he reaches out to Miles, who comes on board, but immediately clashes with the Ford executives, particularly Senior Executive Vice President Leo Beebe (Josh Lucas). Nevertheless, Shelby, Remington, and Miles press on developing the GT40, a car capable of reaching speeds of 135 mph, if only it didn't keep breaking down.

_Le Mans '66_ is somewhat similar to Damien Chazelle's _First Man_ (2018), insofar as it uses the grandiose moments of history to tell an intimate story. Whereas Chazelle used the Apollo Program as the background against which to examine a failing marriage, Mangold uses the determination to win Le Mans '66 as the background against which to examine issues such as friendship and the clash between gifted individuals for whom success is its own reward and corporations who don't see value in anything unless it's monetarily successful. Indeed, the argument could be made that the film is actually a commentary on the Hollywood studio system, with Shelby and Miles representing independent filmmakers who love the craft and see the medium as an art-form, whilst the Ford executives represent the studio, always more concerned with the bottom dollar than artistic integrity, always getting in the way of the people who, if left alone to work, could produce something spectacular.

The film is also extremely funny in places, especially in a scene where Shelby shows up at Miles's house, and the two get into a fight on the street. Miles's wife Mollie (an underused Caitriona Balfe) emerges from the house, looks at the two men fighting, goes back inside, and remerges with a garden chair, a drink, and a copy of _Better Living_. She then sits down to watch the action. It's a hilarious moment, but it's one with great thematic importance – this is very much an androcentric world (Mollie is virtually the only female in the entire film), but for this brief moment, the audience is allowed to pull back and laugh at the utter ridiculousness of competitive maleness – boys will be clichéd boys, always trying to outdo each other, and getting all worked up over something as pointless as a fast car.

This thematic focus, however, is not to say the film ignores the intricacies of racing; on the contrary, there's a huge amount of techno-babble concerning vectors, aerodynamics, the mathematics of torque, the torsion of metal, and the ins and outs of physics. Additionally, although thematically, the focus isn't on the races themselves, there's no denying that the aesthetic design of these scenes is exemplary, albeit familiar. Mann would have done wonders here, but Mangold, cinematographer Phedon Papamichael (_The Ides of March_; _This Is 40_; _Nebraska_), and sound designers David Giammarco (_The Amazing Spider-Man 2_; _The Dark Tower_; _The Predator_) and Jay Wilkinson (_Furious 6_; _Man of Steel_; _Alpha_) have crafted some truly intense moments. For the most part, Mangold and Papamichael avoid any objective shots (for example, there are no overheads giving us a good vantage of the entire race), and there are very few shots showing us something that Miles is unable to see. The scenes aren't shot in the first-person, but our vision is anchored to his. This, of course, contributes to a subjective focalisation and creates the sense of being in the car with him, which brings a default level of intensity, as well as giving the viewer a perfect vantage point from which to see just how fast these guys are going and how difficult what they do actually is.

Is there a Mann influence on the racing scenes? Absolutely; if you're familiar with how Mann often shoots cars in motion (the camera affixed to the side of the car, with the screen virtually split in two – the side of the car taking up one half, the approaching road taking up the other), you simply can't help but notice the similar positioning of Papamichael's camera. Are they the best racing scenes ever put on film? No; you can find those in Lee H. Katzin's _Le Mans_ (1971), which intercuts footage shot during the real 1970 event with material staged for the film, lending the whole thing an unprecedented intensity that has yet to be topped. However, _Le Mans '66_ makes a hell of an effort, and that can only be commended.

In terms of problems, there are only two of any significance. The first concerns just how safe and rudimentary the film is. Aesthetically, although the race scenes are kinetic and exciting, there isn't anything new or inventive in them; thematically, the film doesn't say anything we haven't heard before; and structurally, it walks a very well-worn path – chances are that everything that you think might happen in _Le Mans '66_ does happen. This is your basic underdog story, and it adheres rigidly to that template. The character of Beebe is a good example of just how rigidly. In essence, he's a poorly written token villain because you can't have an underdog story without a token villain (usually in the form of bureaucratic interference). In this case, when Mangold feels the need to inject some conflict into proceedings, Beebe will pop up to throw a wrench into the works. His motivation? Apart from some brief references to how he doesn't think Miles is a "_Ford man_", his antipathy is never explained – the character is a Swiss army knife villain who can be used for multiple purposes, a one-size-fits-all token bad guy without an iota of nuance or interiority. The second problem concerns Shelby himself, who is disappointingly one-dimensional (at best), as we learn absolutely nothing about his personal life – for example, the film makes no reference to the fact that by 1963 he was on wife number three (of seven!). Who is the film's Carroll Shelby, and why should non-racing fans care about him? We never get an answer – he's Matt Damon wearing a Stetson and speaking with a Texas drawl. And that's about all the character development he gets.

Although these issues are significant in isolation, the thing about _Le Mans '66_ is that it's so well made, it rises above the clichéd and overly-familiar nature of many of the individual scenes, resulting in a whole that is very much more than the sum of its parts. A film about friendship and integrity rather than racing, it doesn't take any risks, nor does it bend any rules. Indeed it does nothing that could be labelled innovative. For all that, however, I couldn't help but enjoy it. It won't surprise you, it probably won't move you, it certainly won't change your life, but the storytelling is clear and refined, and the journey is one well worth taking.
I never expected a sports film, let alone one based on a true story, to impress me so damn much. James Mangold offers one of the best, if not the best sports movie ever. With award-worthy performances from both Christian Bale and Matt Damon, Ford v Ferrari (aka Le Mans ‘66) has characters so exceptionally-written and so emotionally compelling that I felt like crying by the end of the film. The races are riveting and entertaining, but it’s the beautiful screenplay that gets me. Definitely, one of the movies of the year!

Rating: A+
American car designer Carroll Shelby and the British-born driver Ken Miles work together to battle corporate interference, the laws of physics, and their own personal demons to build a revolutionary race car for Ford Motor Company and take on the dominating race cars of Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.

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